Publications

Open-access papers are indicated with *.

[Copyright Notice: Electronic versions are provided as a professional courtesy to ensure timely dissemination of academic work for individual, noncommercial purposes. Copyright (and all rights therein) resides with the respective copyright holders, as stated within each paper. These files may not be reposted without permission.]

Refereed Journal Publications

Archived Preprint

*Korsmit, I.R., Montrey, M., Wong-Min, A. & McAdams, S. (2024, September 3). Perceived and induced affective responses to musical sounds: The influence of instrument family, pitch register, and individual differences. Retrieved from

*Huynh, E. Y., Bensoam, J. & McAdams, S. (2024, May 31).听Bowed air columns and blown plates: Odd combinations of excitation mechanisms and resonant structures impact perception. Retrieved from听

*Fischer, M. & McAdams, S. (2023, December 11). Instrument timbre combinations influence the relative prominence of perceptual layers in orchestral music. Retrieved from

In Press

Fischer, M. & McAdams, S. (in press, accepted 19 July 2024). Instrument timbre combinations influence the relative prominence of perceptual layers in orchestral music. Music Perception.

Online Pre-publication

*Huynh, E. & McAdams, S. (published online, 01/10/2024). Categorization of typical and atypical combinations of excitations and resonators of musical instruments: Assimilation of the unusual to the familiar. Music & Science.

*Korsmit, I. R., Montrey, M., Wong-Min, A. T. K., & McAdams, S. (published online, 22/05/2024). The acoustic properties of affective timbres: Consistencies and discrepancies in multiple datasets. Music & Science.

*Zhu, L. & McAdams, S. (published online, 06/05/2024) Comparison of perceived and imagined blend of instrumental dyads. Music & Science.听

2020 - present

*Heng, L. & McAdams, S. (2024). The function of timbre in the perception of affective intentions: Effect of enculturation in different musical traditions. Musicae Scientiae, 28(4), 675-702.

*Kazazis, S., Korsmit, I. & McAdams, S. (2024). Triggering misophonia: The importance of spectral information, temporal information, and action identification. Auditory Perception and Cognition, 7(1), 67-79.

Rosner, J. (2024). Opening the "Door": A multifaceted approach to the analysis of text setting in the third movement of Kate Soper鈥檚 "Door" (2007). Indiana Theory Review, 39, 1-26.

*听

McAdams, S. (2023). A tribute to Albert S. Bregman (1936-2023). Music Perception, 41(1), 74鈥�75.听

Reymore, L., Noble, J., Saitis, C., Traube, C. & Wallmark, Z. (2023). Timbre semantic associations vary both between and within instruments: An empirical study incorporating register and pitch height. Music Perception, 40(3), 256-274.听

*听

McAdams, S., Thoret, E., Wang, G. & Montrey, M. (2023). Timbral cues for learning to generalize musical instrument identity across pitch register. Journal of the Acoustical Society of America, 153(2), 797-811.

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2010 - 2019

Lembke, S.-A., Parker, K., Narmour, E. & McAdams (2019). Acoustical correlates of perceptual blend in timbre dyads and triads. Music忙 Scienti忙, 23(2), 250-274.

Sears, D.R.W., Pearce, M., Spitzer, J., Caplin, W.E. & McAdams, S. (2019). Expectations for tonal cadences: Sensory and cognitive priming effects. Quarterly Journal of Experimental Psychology, 72(6), 1422-1438.

Siedenburg, K. & McAdams, S. (2018). Short-term recognition of timbre sequences: Effects of musical training, pitch variability, and timbral similarity.听Music Perception, 36(1), 24-39.听

Taher, C., Hasegawa, R. & McAdams, S. (2018). Effects of musical context on the recognition of musical motives during listening.听Music Perception,听36(1), 77-97.听

Sears, D. R. W.,听Pearce, M. T., Caplin, W. E. & McAdams, S. (2017). Simulating melodic and harmonic expectations for tonal cadences using probabilistic models.听Journal of New Music Research, 47(1), 29-52.

Upham, F. & McAdams, S. (2018). Activity analysis and coordination in continuous responses to music. Music Perception, 35(3), 253-294.

Lembke, S.-A., Levine, S. & McAdams, S. (2017). Blending between bassoon and horn players: An analysis of timbral adjustments during musical performance. Music Perception, 35(2), 144鈥�164.听

Siedenburg, K. & McAdams, S. (2017) The role of long-term familiarity and attentional maintenance in auditory short-term memory for timbre.听Memory, 25(4), 550-564.

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Lembke, S.-A. & McAdams, S. (2015).听The role of spectral-envelope characteristics in perceptual blending of wind-instrument sounds.听Acta Acustica United with Acustica,听101(5), 1039鈥�1051.听听 10.3813/AAA.918898

McAdams, S. & Reynolds, R. (2015). A tribute to David Wessel (1942-2014). Music Perception, 32, 434-436. 10.1525/MP.2015.32.4.434

Soroka, S., & McAdams, S. (2015). News, politics, and negativity. Political Communication, 32,听1鈥�22. 10.1080/10584609.2014.881942

Wollman, I., Fritz, C., Poitevineau, J., & McAdams, S. (2014). Investigating the role of auditory and tactile modalities in violin quality evaluation. PLoS One, 9(12), e112552. https://doi.org/10.1371/journal.pone.0112552.

Egermann, H., Fernando, N., Chuen, L., & McAdams, S. (2014). Music induces universal emotion-related psychophysiological responses: Comparing Canadian listeners to Congolese Pygmies. Frontiers in Psychology, 5, 1341. 0.3389/fpsyg.2014.01341

Sears, D., Caplin, W. E., & McAdams, S. (2014). Perceiving the classical cadence. Music Perception, 31(5), 397鈥�417. 10.1525/MP.2014.31.5.397

Giordano, B.L., Egermann, H. & Bresin, R. (2014). The production and perception of emotionally expressive walking sounds: similarities between musical performance and everyday motor activity. PLoS ONE, 9(12), e115587. 10.1371/journal.pone.0115587

Fernando, N., Egermann, H., Chuen, L., Kimbemb茅, B. & McAdams, S. (2014). Musique et 茅motion. Quand deux disciplines travaillent ensemble 脿 mieux comprendre le comportement musical humain. Anthropologie et Soci茅t茅, 38(1),167-191.听.

Peters, N., Braasch, J., & McAdams, S. (2013). Recording techniques and their effect on sound quality at off-center listening positions in 5.0 surround environments. Canadian Acoustics/Acoustique canadienne, 41(3), 37-49.

Egermann, H., & McAdams, S. (2013). Empathy and emotional contagion as a link between recognized and felt emotions in music listening. Music Perception, 31(2), 139-156.

Marentakis, G., & McAdams, S. (2013). Perceptual impact of gesture control of spatialization. ACM Transactions on Applied Perception (TAP), 10(4), 22. https://doi.org/10.1145/2536764.2536769

Fischer, M., Riello, M., Giordano, B.L. & Rusconi, E (2013). Singing numbers... in cognitive space 鈥� A dual-task study of the link between pitch, space, and numbers.听Topics in Cognitive Science, 5, 354鈥�366. 10.1111/tops.12017

Gingras, B., Asselin, P. Y., & McAdams, S. (2013). Individuality in harpsichord performance: disentangling performer-and piece-specific influences on interpretive choices. Frontiers in Psychology, 4. https://doi.org/10.3389/fpsyg.2013.00895

Egermann, H., Pearce, M. T., Wiggins, G. A., & McAdams, S. (2013). Probabilistic models of expectation violation predict psychophysiological emotional responses to live concert music. Cognitive, Affective, & Behavioral Neuroscience, 13(2). https://doi.org/10.3758/s13415-013-0161-y

Giordano, B.L., McAdams, S., Zatorre, R.J., Kriegeskorte, N., & Belin, P. (2013). Abstract encoding of auditory objects in cortical activity patterns. Cerebral Cortex. 10.1093/cercor/bhs162.

Tardieu, D. & McAdams, S. (2012). Perception of dyads of impulsive and sustained instrument sounds. Music Perception, 30(2), 117-128. https://doi.org/10.1525/mp.2012.30.2.117

Giordano, B.L., Visell, Y., Yao, H.Y., Hayward, V., Cooperstock, J., & McAdams, S. (2012). Identification of walked-upon materials in auditory, kinesthetic, haptic and audio-haptic conditions. Journal of the Acoustical Society of America, 131, 4002-4012. https://doi.org/10.1121/1.3699205

Saitis, C., Giordano, B.L., Fritz, C. & Scavone, G. (2012). Perceptual evaluation of violins: A quantitative analysis of preference judgments by experienced players. 听Journal of the Acoustical Society of America, 132(6), 4002-4012. 10.1121/1.4765081

Peters, N., Braasch, J. & McAdams, S. (2011). Sound spatialization across disciplines using Virtual Microphone Control (ViMiC). Journal of Interdisciplinary Music Studies, 5, 167-190. 10.4407/jims.2011.11.003.

Gingras, B., Lagrandeur-Ponce, T., Giordano, B. & McAdams, S. (2011). Perceiving musical identity: Performer identification is dependent on performer expertise and expressiveness, but not on listener expertise. Perception, 40, 1206-1220. https://doi.org/10.1068/p6891.

Peeters, G., Giordano, B.L., Susini, P., Misdariis, N. & McAdams, S. (2011). The Timbre Toolbox: Extracting audio descriptors from musical signals. Journal of the Acoustical Society of America, 130, 2902-2916. https://doi.org/10.1121/1.3642604. [The newly revised听Timbre Toolbox is available .]

Giordano, B.L., Guastavino, C., Murphy, E., Ogg, M., Smith, B.K. & McAdams, S. (2011). Comparison of methods for collecting and modeling dissimilarity data: Applications to complex sound stimuli. Multivariate Behavioral Research, 46, 779-811. https://doi.org/10.1080/00273171.2011.606748

Visell, Y., Giordano, B.L., Millet, G. & Cooperstock, J.R. (2011). Vibration influences haptic perception of surface compliance during walking. PLoS ONE, 6(3), e17697. 10.1371/journal.pone.0017697

Gingras, B. & McAdams, S. (2011). Improved score-performance matching using both structural and temporal information from MIDI recordings. Journal of New Music Research, 41, 43-57. https://doi.org/10.1080/09298215.2010.545422

Peters, N., Marentakis, G. & McAdams, S. (2011). Current technologies and compositional practices for spatialization: A qualitative and quantitative analysis. Computer Music Journal, 35, 10-27.听

Giordano, B. & McAdams, S. (2010). Sound source mechanics and musical timbre perception: Evidence from previous studies. Music Perception, 28, 155-168. https://doi.org/10.1525/mp.2010.28.2.155

Giordano, B., McDonnell, J. & McAdams, S. (2010). Hearing living symbols and nonliving icons: Category specificities in the cognitive processing of environmental sounds. Brain and Cognition, 73, 7-19. 10.1016/j.bandc.2010.01.005.

McAdams, S., Roussarie, V., Chaigne, A. & Giordano, B. (2010). The psychomechanics of simulated sound sources: Material properties of impacted plates. Journal of the Acoustical Society of America, 128, 1401-1413. https://doi.org/10.1121/1.3466867听[Supplemental Material]

Bonnel, A., McAdams, S., Smith, B., Berthiaume, C. Bertone, A., Ciocca, W., Burack, J. & Mottron, L. (2010). Enhanced pure-tone pitch discrimination among persons with autism but not Asperger syndrome. Neuropsychologia, 48, 2465鈥�2475. https://doi.org/:10.1016/j.neuropsychologia.2010.04.020

Misdariis, N., Minard, A., Susini, P., Lemaitre, G., McAdams, S. & Parizet, E. (2010). Environmental sound perception: Meta-description and modeling based on independent primary studies. EURASIP Journal on Audio, Speech and Music Processing [Special issue on Scalable Audio-Content Analysis], 2010, 362013. 10.1155/2010/362013

Suied, C., Susini, P., McAdams, S. & Patterson, R. (2010). Why are natural sounds detected faster than pips? Journal of the Acoustical Society of America, 127(3), EL105-EL110. 10.1121/1.3310196

Castiello U., Giordano B.L., Begliomini C., Ansuini C. & Grassi M. (2010). When ears drive hands: the influence of contact sound on reaching to grasp. PLoS ONE, 5(8), e12240. 10.1371/journal.pone.0012240

Giordano, B., Rochesso, D. & McAdams, S. (2010). Integration of acoustical information for the perception of impacted sound sources: The role of information accuracy and exploitability. Journal of Experimental Psychology: Human Perception and Performance, 36(2), 462-476. https://doi.org/10.1037/a0018388听[Supplemental Material]

2000 - 2009

Tardieu, J., Susini, P., Poisson, F., Kawakami, H. & McAdams, S. (2009). The design and evaluation of an auditory way-finding system in a train station. Applied Acoustics, 70, 1183-1193.

Lemaitre, G., Susini, P., Winsberg, S., Letinturier, B. & McAdams, S. (2009). The sound quality of car horns: Designing new representative sounds. Acta Acustica united with Acustica, 95, 356-372.

Valli猫res, M., Tan, D., Caplin, W. & McAdams, S. (2009). Perception of intrinsic formal functionality: An empirical investigation of Mozart's materials. Journal of Interdisciplinary Music Studies, 3(1-2), 17-43.

Visell, Y., Fontana, F., Giordano, B.L., Nordahl, R., Serafin, S. & Bresin, R. (2009). Sound design and perception in walking interactions. International Journal of Human-Computer Studies, 67, 947鈥�959. 10.1016/j.ijhcs.2009.07.007

Braasch, J., Peters, N. & Valente, D.L. (2008). A loudspeaker-based projection technique for spatial music applications using virtual microphone control. Computer Music Journal, 32(3), 55鈥�71.

Tardieu, J., Susini, P., Poisson, F., Lazareff, P. & McAdams, S. (2008). Perceptual study of soundscapes in train stations. Applied Acoustics, 69, 1224-1239.

Suied, C., Susini, P. & McAdams, S. (2008). Evaluating warning sound urgency with reaction times. Journal of Experimental Psychology: Applied, 14, 201-212.

Caclin, A., McAdams, S., Smith, B. & Giard, M.-H. (2008). Interactive processing of timbre dimensions: An exploration with event-related potentials. Journal of Cognitive Neuroscience, 20(1), 49-64.

Susini, P., McAdams, S. & Smith, B. (2007). Loudness asymmetries for tones with increasing and decreasing levels using continuous and global ratings. Acta Acustica united with Acustica, 93, 623-631.

Lemaitre, G., Susini, P., Winsberg, S. & McAdams, S. (2007). The sound quality of car horns: A psychoacoustical study of timbre. Acta Acustica united with Acustica, 93, 457-468.

Caclin, A., Giard, M.-H., Smith, B. & McAdams, S. (2007). Interactive processing of timbre dimensions: A Garner interference study. Brain Research, 1138, 159-170.

Caclin, A., Brattico, E., Tervaniemi, M., N盲盲tenen, R. Morlet, D., Giard, M-H. & McAdams, S. (2006). Separate neural processing of timbre dimensions in auditory sensory memory. Journal of Cognitive Neuroscience, 18(12), 1959-1972.

Dubnov, S., McAdams, S. & Reynolds, R. (2006). Structural and affective aspects of music from statistical audio signal analysis. Journal of the American Society for Information Science and Technology, 57, 1526-1536.

Rusconi, E., Kwan, B., Giordano, B.L., Umilta, C. & Butterworth, B. (2006). Spatial representation of pitch height: the SMARC effect. Cognition, 99, 113鈥�129. 10.1016/j.cognition.2005.01.004

Giordano, B. & McAdams, S. (2006). Material identification of real impact sounds: Effects of size variation in steel, glass, wood and plexiglas plates. Journal of the Acoustical Society of America, 119, 1171-1181.

Caclin, A., McAdams, S., Smith, B. K. & Winsberg, S. (2005). Acoustic correlates of timbre space dimensions: A confirmatory study using synthetic tones. Journal of the Acoustical Society of America, 118, 471-482.

McAdams, S., Vines, B. , Vieillard, S., Smith, B. & Reynolds, R. (2004). Influences of large-scale form on continuous ratings in response to a contemporary piece in a live concert setting. Music Perception, 22, 297-350.

Lalitte, P., Bigand, E., Poulin-Charronnat, B., McAdams, S., Delb茅, C. & D'Adamo, D. (2004). The perceptual structure of thematic materials in The Angel of Death. Music Perception, 22, 265-296.

Poulin-Charronnat, B., Bigand, E., Lalitte, P. , Madurell, F., Vieillard, S. & McAdams, S. (2004). Effects of a change in instrumentation on the recognition of musical materials. Music Perception, 22, 239-263.

McAdams, S., Vieillard, S., Houix, O. & Reynolds, R. (2004). Perception of musical similarity among contemporary thematic materials in two instrumentations. Music Perception, 22, 207-237.

Tillmann, B. & McAdams, S., (2004). Implicit learning of musical timbre sequences: Statistical regularities confronted with acoustical (dis)similarities. Journal of Experimental Psychology: Learning, Memory and Cognition, 30, 1131-1142.

Tillmann, B. & McAdams, S., (2004). Apprentissage implicite en modalit茅 auditive: Statistique et acoustique. Revue de Neuropsychologie, 14, 147-167.

Susini, P., McAdams, S., Winsberg, S., Perry, I., Vieillard, S. & Rodet, X. (2004). Characterizing the sound quality of air-conditiong noise. Applied Acoustics, 65, 763-790.

McAdams, S. (2004). Problem-solving strategies in music composition: A case study. Music Perception, 21, 391-430.

McAdams, S., 听Chaigne, A. & Roussarie, V. (2004). The psychomechanics of simple sound sources: Material properties of impacted bars. Journal of the Acoustical Society of America, 115, 1306-1320.

Marozeau, J., de Cheveign茅, A., McAdams, S. & Winsberg, S. (2003). The dependency of timbre on fundamental frequency. Journal of the Acoustical Society of America, 114, 2946-2957.

Ayari, M. & 听McAdams, S. (2003). Aural analysis of Arab improvised music (taqs卯m). Music Perception, 21, 159-216.

Bey, C. & McAdams, S. (2003). Post-recognition of interleaved melodies as an indirect measure of auditory stream formation. Journal of Experimental Psychology: Human Perception and Performance, 29, 267鈥�279.

Menon, V., Levitin, D., Smith, B., Lembke, A. Kraznow, B., Glazer, D., Glover, G. & McAdams, S. (2002). Neural correlates of timbre change in harmonic sounds. Neuroimage, 17, 1742-1754.

Levitin, D., McAdams, S. & Adams, R. (2002). Control parameters for musical instruments: A foundation for new mappings of gesture to sound. Organised Sound, 7, 171-189.

Belin, P., McAdams, S., Thivard, L., Smith, B., Savel, S., Zilbovicius, M., Samson, S. & Samson, Y. (2002). The neuroanatomical substrate of sound duration discrimination. Neuropsychologia, 40, 1956-1964.

Bey, C. & McAdams, S. (2002). Schema-based processing in auditory scene analysis. Perception & Psychophysics, 64, 844-854.

Susini, P., McAdams, S. & Smith, B. K. (2002). Global and continuous estimation of time-varying levels. Acta Acustica, 88, 536-548.

McAdams, S. & Matzkin, D. (2001). Similarity, invariance and musical variation. Annals of the New York Academy of Sciences, 930, 62-76.

Brown, J., Houix, O. & McAdams, S. (2001). Feature dependence in the automatic identification of musical woodwind instruments. Journal of the Acoustical Society of America, 109, 1064-1072.

Pressnitzer, D. & McAdams, S. (2000). Acoustics, psychoacoustics, and spectral music. Contemporary Music Review, 19(2), 33-59, 139-143.

Bigand, E., McAdams, S. & For锚t, S. (2000). Divided attention in music. International Journal of Psychology, 35, 270-278.

Susini, P. & McAdams, S. (2000). Psychophysical validation of a proprioceptive device by cross-modal matching of loudness. Acta Acustica, 86, 515-525.

Pressnitzer, D., McAdams, S., Winsberg, S. & Fineberg, J. (2000). Perception of musical tension for nontonal orchestral timbres and its relation to psychoacoustic roughness. Perception & Psychophysics, 62, 66-80.

1990 - 1999

Brochard, R., Drake, C., Botte, M.-C. & McAdams, S. (1999). Perceptual organization of complex auditory sequences: Effect of number of simultaneous subsequences and frequency separation. Journal of Experimental Psychology: Human Perception and Performance, 25, 1742-1759.

Susini, P., McAdams, S. & Winsberg, S. (1999). A multidimensional technique for sound quality assessment. Acta Acustica, 85, 650-656.

McAdams, S. (1999). Perspectives on the contribution of timbre to musical structure. Computer Music Journal, 23(2), 96-113.

Drake, C. & McAdams, S. (1999). The continuity illusion: Role of temporal sequence structure. Journal of the Acoustical Society of America, 106, 3529-3538.

Pressnitzer, D. & McAdams, S. (1999). Two phase effects in roughness perception. Journal of the Acoustical Society of America, 105, 2773-2782.

McAdams, S., Beauchamp, J. & Meneguzzi, S. (1999). Discrimination of musical instrument sounds resynthesized with simplified spectrotemporal parameters. Journal of the Acoustical Society of America, 105, 882-897.

Belin, P., McAdams, S., Smith, B., Savel, S., Thivard, L., Samson, S. & Samson, Y. (1998). The functional anatomy of sound intensity discrimination. Journal of Neuroscience, 18, 6388-6394.

McAdams, S., Botte, M.-C. & Drake, C. (1998). Auditory continuity and loudness computation. Journal of the Acoustical Society of America, 103, 1580-1591.

McAdams, S. & Bertoncini, J. (1997). Organization and discrimination of repeating sound sequences by newborn infants. Journal of the Acoustical Society of America, 102, 2945-2953.

Lakatos, S., McAdams, S. & Causs茅, R. (1997). The representation of auditory source characteristics: Simple geometric form. Perception and Psychophysics, 59, 1180-1190.

Botte, M.-C., Drake, C., Brochard, R. & McAdams, S. (1997). Perceptual attenuation of non-focused auditory streams. Perception and Psychophysics, 59, 419-425.

de Cheveign茅, A., McAdams, S. & Marin, C.M.H. (1997). Concurrent vowel identification. II: Effects of phase, harmonicity, and task. Journal of the Acoustical Society of America, 101, 2848-2856.

Samoylenko, E.S., McAdams, S. & Nosulenko, V.N. (1996). Systematic analysis of verbalizations produced in comparing musical timbres. International Journal of Psychology, 31, 255-278.

Marin, C. & McAdams, S. (1996). The role of frequency modulation, polyperiodicity, and auditory beats in the recognition of spectrally embedded complex target sounds. Journal of the Acoustical Society of America, 100, 1736-1753.

McAdams, S., Winsberg, S., Donnadieu, S., De Soete, G. & Krimphoff, J. (1995). Perceptual scaling of synthesized musical timbres: Common dimensions, specificities, and latent subject classes. Psychological Research, 58, 177-192.

de Cheveign茅, A., McAdams, S., Laroche, J. & Rosenberg, M. (1995). Identification of concurrent harmonic and inharmonic vowels: A test of the theory of harmonic cancellation and enhancement. Journal of the Acoustical Society of America, 97, 3736-3748.

Fales, C. & McAdams, S. (1994). The fusion and layering of noise and tone: Implications for timbre in African instruments. Leonardo Music Journal, 4, 69-77.

McAdams, S. & Cunibile, J.C. (1992). Perception of timbral analogies. Philosophical Transactions of the Royal Society, London, series B, 336, 383-389.

Marin, C. & McAdams, S. (1991). Segregation of concurrent sounds. II: Effects of spectral envelope tracing, frequency modulation coherence, and frequency modulation width. Journal of the Acoustical Society of America, 89, 341-351.

Hartmann, W.M., McAdams, S., & Smith, B.K. (1990). Hearing a mistuned harmonic in an otherwise periodic complex tone.听Journal of the Acoustical Society of America, 88, 1712-1724.

1979 - 1989

McAdams, S. (1989). Psychological constraints on form-bearing dimensions in music. Contemporary Music Review, 4, 181-198.

McAdams, S. (1989). Introduction: The many faces of human cognition in musical research and practice. Contemporary Music Review, 4, 1-7. (Preface by McAdams and Deliege)

McAdams, S. (1989). Segregation of concurrent sounds. I: Effects of frequency modulation coherence.听Journal of the Acoustical Society of America, 86, 2148-2159.

Bertoncini, J., Morais, J., Bijeljac-Babic, R., McAdams, S., Peretz, I. & Mehler, J. (1989). Dichotic perception and laterality in neonates.听Brain and Langauge, 37, 591-605.

McAdams, S. (1988) Perception et intuition : Calculs tacites. InHarmoniques, 3, 86-103.

McAdams, S. (1987). Music: A science of the mind? Contemporary Music Review, 2, 1-61. (Preface by McAdams, S.)

Hartmann, W.M., McAdams, S., Gerzso, A. & Boulez, P. (1986). The discrimination of spectral density.听Journal of the Acoustical Society of America, 79, 1915-1925.

McAdams, S. & Bregman, A. (1979). Hearing musical streams. Computer Music Journal, 3(4), 26-43, republished in C. Roads & J. Strawn (Eds.) (1985),听The Foundations of Computer Music (pp. 658-698), Cambridge,听MA: MIT Press.

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Books and Special Journal Issues

McAdams, S. (2924). Perception and Cognition of Music: The Sorbonne Lectures. Oxford University Press, Oxford.

Li, Z. & McAdams, S. (2022).

McAdams, S. & Battier, M. (Eds.). (2005). Creation and Perception of a Contemporay Musical Work: The Angel of Death by Roger Reynolds. E-book, Paris: Ircam-Centre Pompidou. []

Book Chapters

Noble, J., Bonin, T., Dean, R. & McAdams, S. (2023). Evaluating the psychological reality of alternate temporalities in contemporary music: Empirical case studies of G茅rard Grisey's Vortex Temporum. In J. London & C. W枚llner (Eds.), Performing time: Synchrony and temporal flow in music and dance听(pp. 301-308). Oxford University Press.

Antoine, A., Depalle, P., Macnab-S茅guin, P. & McAdams, S. (2021). Modeling human experts' identification of orchestral blends using symbolic information. In R. Kronland-Martinet, S. Ystad & M. Aramaki (Eds.), Perception, Representations, Image, Sound, Music, pp. 363-378. LNCS 12631, Springer Verlag, Cham, Switzerland.听

Siedenburg, K., Saitis, C. & McAdams, S. (2019). The present, past, and future of timbre research. In K. Siedenburg, C. Saitis, S. McAdams, A. Popper, A. & R. Fay (Eds.), Timbre: Acoustics, Perception, and Cognition, pp. 1-22, Springer Handbook of Auditory Research, Springer Verlag, Cham, Switzerland.听

McAdams, S. (2019). The perceptual representation of timbre. In K. Siedenburg, C. Saitis, S. McAdams, A. Popper, A. & R. Fay (Eds.), Timbre: Acoustics, Perception, and Cognition, pp. 23-58, Springer Handbook of Auditory Research, Springer Verlag, Cham, Switzerland.听

McAdams, S. (2019). Timbre as a structuring force in music. In K. Siedenburg, C. Saitis, S. McAdams, A. Popper, A. & R. Fay (Eds.), Timbre: Acoustics, Perception, and Cognition, pp. 211-244, Springer Handbook of Auditory Research, Springer Verlag, Cham, Switzerland.听

Touizrar, M. & McAdams, S. (2019). Aspects perceptifs de l'orchestration dans The Angel of Death de Roger Reynolds: Timbre et groupement auditif. Dans听P. Lalitte (dir.), Musique et cognition : Perspectives pour l'analyse et la performance musicales, pp. 55-78, Editions universitaires de Dijon, Dijon.
[English translation: Perceptual facets of orchestration in The Angel of Death by Roger Reynolds: Timbre and auditory grouping.听

McAdams, S. & Siedenburg, K. (2019). Perception and cognition of musical timbre. In P. J. Rentfrow & D. J. Levitin (Eds.), Foundations in Music Psychology: Theory and Research, pp. 71-120, MIT Press, Cambridge, MA.

McAdams, S. & Goodchild, M. (2017). Musical structure: Sound and timbre. In R. Ashley & R. Timmers (Eds.), The听Routledge Companion to Music Cognition, pp. 129-139, Routledge, New York.

McAdams, S. & Giordano, B. L. (2015). The perception of musical timbre. In S. Hallam, I. Cross & M. Thaut (Eds.), Oxford Handbook of Music Psychology, 2nd ed., Oxford University Press, New York. doi: 10.1093/oxfordhb/9780198722946.013.12.

Sears, D. (2015). The perception of cadential closure. In Neuwirth, M. & Berg茅, P. (Eds.), What Is a Cadence? Theoretical and Analytical Perspectives on Cadences in the Classical Repertoire (pp. 253-285).听Leuven University Press, Leuven.

Trochidis, K., Sears, D., Tr芒n, D.-L. & McAdams, S. (2013). Psychophysiological measures of emotional response to Romantic orchestral music and their musical and acoustic correlates. In M. Aramaki, M. Barthet, R. Kronland-Martinet & S. Ystad (Eds.), Computer Music Modeling and Retrieval, LNCS 7900, pp. 44-57, Berlin. Springer.

Giordano, B.L., Susini, P. & Bresin, R. (2013). Perceptual evaluation of sound-producing objects. In Franinovi, K. & Serafin, S. (Eds.), Sonic Interaction Design, MIT Press, Cambridge, MA.

McAdams, S. (2013). Musical timbre perception. In听Diana Deutsch (Ed.),听The psychology of music (3rd Edition).听To dowload sound samples that accompany this chapter:听.

Susini, P., Lemaitre, G. & McAdams, S. (2011). Psychological measurement for sound description and evaluation. In B. Berglund, G. B. Rossi, J. T. Townsend & L. R. Pendrill (Eds.), Measurements with Persons: Theory, Methods and Implementation Areas听(pp. 227-253).听New York:听Psychology Press.

Gingras, B., McAdams, S., & Schubert, P. (2010). The performer as analyst: A case study of J.S. Bach's 鈥淒orian鈥� fugue BWV 538. In C. Utz (Ed.), Music Theory and Interdisciplinarity. Musik Theorien der Gegenwart, vol. 4. Pfau: Saarbr眉cken, pp. 1-14.

Frey, A., Tijus, C. & McAdams. S. (2008). Etude de la perception d'une 艙uvre musicale contemporaine: le d茅coupage en unit茅s signifiantes. In E. Rix & M. Formosa (Eds.), Vers une s茅miotique g茅n茅rale du temps dans les arts, Editions Delatour-France/IRCAM-Centre Pompidou, Paris, pp. 59-78.

Visell, Y., Cooperstock, J., Giordano, B., Franinovic, K., Law, A., McAdams, S., Jathal, K. & Fontana, F. (2008). A vibrotactile device for display of virtual ground materials in walking. In M. Ferre (Ed.), EuroHaptics 2008. Lecture Notes in Computer Science 5024听(pp. 420鈥�426).听Berlin,听Germany:听Springer-Verlag.

Burgoyne, J.A. & McAdams, S. (2008). A meta-analysis of timbre perception using nonlinear extensions to CLASCAL. In R. Kronland-Martinet, S. Ystad & K. Jensen (Eds.),听Sense of Sounds. Lecture Notes in Computer Science 4969 (pp. 181-202).听Berlin, Germany:听Springer-Verlag.

Donnadieu, S. (2007). Mental representation of the timbre of complex sounds. In Beauchamp, J. (Ed.), Analysis, Synthesis, and Perception of Musical Sounds, (pp. 272-319), Springer, New York, NY.

Grimault, N., McAdams, S. & Allen, J.B. (2007). Auditory scene analysis: A prerequisite for loudness perception. In B. Kollmeier, G. Klump, V. Hohmann, U. Langemann, M. Mauermann, S. Uppenkamp & J. Verhey (Eds.), Hearing: From Sensory Processing to Perception听(pp. 295-302).听Berlin,听Germany:听Springer-Verlag.

Ayari, M. & McAdams, S. (2005). L'influence du savoir culturel sur la perception et la compr茅hension musicales. In F. Madurell (Ed.), Les pratiques d'茅coute individuelles, Paris, France: Universit茅 de Paris-Sorbonne.

Vieillard, S., McAdams, S., Bigand, E. & Reynolds, R. (2005). Cr茅ation et perception d'une 艙uvre de musique contemporaine: The Angel of Death de Roger Reynolds. In M. Borillo 听(Ed.), Approches cognitives de la cr茅ation artistique (pp. 129-153). Brussels, Belgium: Pierre Mardaga.

McAdams, S., Depalle, P. & Clarke, E. (2004). Analyzing musical sound. In E. Clarke & N. Cook (Eds.), Empirical Musicology: Aims, Methods, Prospects听(pp. 157-196).听New York, NY:听Oxford University Press.听

McAdams, S. & Matzkin, D. (2003). The roots of musical variation in perceptual similarity and invariance. In I. Peretz & R. Zatorre (Eds.), The Cognitive Neuroscience of Music (pp. 79-94).听Oxford:听Oxford University Press.

Ayari, M. & McAdams, S. (2002). Le sch茅ma cognitif culturel de l'improvisation modale: Forme musicale et analyse perceptive. In F. L茅vy & J.-M. Chouvel (Eds.), Observation, analyse, mod猫le. Peut-on parler d'art avec les outils de la science?听(pp. 395-418).听Paris: Harmattan.听

McAdams, S. & Drake, C. (2002). Auditory perception and cognition. In H. Pashler (Series Ed.) & S. Yantis (Vol. Ed.), Stevens' Handbook of Experimental Psychology: Vol. 1. Sensation and Perception (3rd. ed.), pp. 397-452. New York, NY:听Wiley.

McAdams, S. & Winsberg, S. (2000). Psychophysical quantification of individual differences in timbre perception. In A. Schick, M. Meis & C. Reckhardt (eds.), Contributions to Psychological Acoustics: Results of the 8th Oldenburg Symposium on Psychological Acoustics (pp. 165-182).听Oldenburg: Bis.

Houix, O., McAdams, S. & Causs茅, R. (1999). Auditory categorization of sound sources. In M. A. Grealy & J. A. Thomson (eds.), Studies in Perception and Action V, Lawrence Erlbaum Associates, Mahwah, NJ., pp. 47-51.

Pressnitzer, D. & McAdams, S. (1999). An effect of the coherence between envelopes across frequency regions on the perception of roughness. In T. Dau, V. Hohmann & B. Kollmeier (eds.), Psychophysics, Physiology and Modesl of Hearing, World Scientific, London, pp. 105-108.

Pressnitzer, D. & McAdams, S. (1998). Phase effects in roughness perception. In A.R. Palmer, A. Rees, A.Q. Summerfield & R. Meddis (Eds.), Psychophysical and Physiological Advances in Hearing, Whurr Publishers, Londres , pp. 286-292.

McAdams, S., Smith, B.K., Maillot, M. & Frachet, B. (1997). S茅lectivit茅 fr茅quentielle et identification de voyelles simultan茅es chez des auditeurs normo-entendants et malentendants. In Y. Christen, L. Collet & 听M.-T. Droy-Lefaix (Eds.), Rencontres IPSEN en ORL, Editions Irvinn, Boulogne, pp. 131-145.

McAdams, S. (1997). L'organisation perceptive de l'environnement sonore. In Y. Christen, L. Collet & 听M.-T. Droy-Lefaix (Eds.), Rencontres IPSEN en ORL, Editions Irvinn, Boulogne, pp. 91-102.

McAdams, S. (1996). Audition: Cognitive psychology of music. In R. Llin谩s & P. Churchland (Eds.), The Mind-Brain Continuum听(pp. 251-279), MIT Press, Cambridge, MA.

Botte, M.C., McAdams, S. & Drake, C. (1995). La perception des sons et de la musique. In B. Lechevalier & F. Eustache (Eds.), Perception et agnosies: S茅minaire Jean-Louis Signoret, De Boeck, Bruxelles, pp. 55-99.

McAdams, S. (1994). Audition: physiologie, perception et cognition. In M. Richelle, J. Requin & M. Robert (Eds.), Trait茅 de psychologie exp茅rimentale, PUF, Paris, pp. 283-344.

McAdams, S. & Bigand, E. (1993). Introduction to auditory cognition. In S. McAdams & E. Bigand (Eds.), Thinking in sound: The cognitive psychology of human audition, Oxford Univeristy Press, Oxford, pp. 1-9.

McAdams, S. (1993). Recognition of auditory sources and events. In S. McAdams & E. Bigand (Eds.), Thinking in sound: The cognitive psychology of human audition, Oxford University Press, Oxford, pp. 146-198.

McAdams, S. (1991). Pertseptivnaya organizatsiya akusticheskoy sryedy [L'organisation perceptive du monde sonore]. In V. Nosulenko (Ed.), Problemy ekologicheskoy psykhoakustiki [Probl猫mes de psychoacoustique 茅cologique], Institut de Psychologie, Moscou, pp. 28-50.

McAdams, S. & Rodet, X. (1988). The role of FM-induced AM in dynamic spectral profile analysis. In H. Duifhuis, J.W. Horst & H.P. Wit (Eds.),听Basic Issues in Hearing, Academic Press, London, pp. 359-369.

McAdams, S. (1984). The auditory image: A metaphor for musical and psychological research on auditory organization. In W.R. Crozier & A.J. Chapman (Eds.), Cognitive Processes in the Perception of Art, North-Holland, Amsterdam, pp. 289-323.听

McAdams, S. (1982). Spectral fusion and the creation of auditory images. In M. Clynes (Ed.), Music, Mind and Brain: The Neuropsychology of Music, 听Plenum Press, New York, pp. 278-298.

Selected Conference Contributions

Crestel, L., Esling, P., Heng, L. & McAdams, S. (2017). A database linking piano and orchestral MIDI scores with application to automatic projective orchestration.听18th International Society for Music Information Retrieval Conference, Suzhou, China, October 23-28, 2017.

Kazazis, S., Esterer, N., Depalle, P. & McAdams, S. (2017). A performance evaluation of the Timbre Toolbox and the MIRToolBox on calibrated test sounds.听In G. Scavone, E. Maestre, C. Kemp & S. Wang (Eds.), Proceedings of the 2017 International Symposium on Musical Acoustics, Montreal, June 18-22, 2017 (pp. 144-147).

Kazazis, S., Depalle, P. & McAdams, S. (2016). Sound morphing by audio descriptors and parameter interpolation.听Proceedings of the 19th International Conference on Digital Audio Effects (DAFx16), Brno, Czech Republic, September 5-9, 2016.

Daniel, A., Nicol, R. & McAdams, S. (2010). Multichannel audio coding based on minimum audible angles.听Proceedings of the 40th Annual Audio Engineering Society Conference, Tokyo.

McAdams, S. & Giordano, B.L. (2010). La psychoacoutique d茅voile le potentiel musical du timbre.听Actes du 10eme Congr猫s Fran莽ais d'Acoustique, Lyon. Soci茅t茅 Fran莽aise d'Acoustique, Paris [CD-ROM]. Also published in听Acoustique & Techniques,听60, 13-20.

Giordano, B.L., Avanzini, F., Wanderley, M. & McAdams, S. (2010). Multisensory integration in percussion performance.听Actes du 10eme Congr猫s Fran莽ais d'Acoustique, Lyon. Soci茅t茅 Fran莽aise d'Acoustique, Paris [CD-ROM].

Daniel, A., Guastavino, C. & McAdams, S. (2010). Effet du rapport signal-sur-bruit sur l'angle minimum audible en pr茅sence d'un son distracteur.听Actes du 10eme Congr猫s Fran莽ais d'Acoustique, Lyon. Soci茅t茅 Fran莽aise d'Acoustique, Paris [CD-ROM].

Giordano, B. L., Guastavino, C., Murphy, E., Ogg, M., Smith, B. & McAdams, S. Common and distinctive features of similarity: Effect of behavioral method.听Abstracts of the 50th Meeting of the Psychonomic Society,听14, 112 (A).

Giordano, B. L., Avanzini, F., Wanderley, M., & McAdams, S. (2009). Integrating nonspatial, nontemporal multisensory information in action-based perception.听Proceedings of the 10th International Multisensory Research Forum, New York, pp. 64鈥�65.

Peters, N., Matthews, T., Braasch, J. & McAdams, S. (2008). Spatial sound rendering in Max/MSP with ViMiC.听Proceedings of ICMC2008, Belfast.

Peters, N., Giordano, B., Kim, S., Braasch, J. & McAdams, S. (2008). Predicting perceived off-center sound degradation in surround loudspeaker setups for various multichannel microphone techniques.听Proceedings of the 125th Convention of the Audio Engineering Society, San Francisco, USA.

Marentakis, G., Marshall, M., Malloch, J., Peters, N., Wanderley, M. & McAdams, S. (2008) Influence of performance gestures on the identification of spatial sound trajectories in a concert hall.听Proceedings of the 14th International Conference on Auditory Display, Paris.

Marentakis, G., Corteel, E. & McAdams, S. (2008). Wave-field synthesis evaluation using the minimum audible angle in a concert hall.听Proceedings of the 124th Convention of the Audio Engineering Society, Amsterdam.

Minard, A., Susini, P., Misdariis, N., Lemaitre, G., McAdams, S. & Parizet, E. (2008). Environmental sound description: Comparison and generalization of four timbre studies. In听CHI '08: Proceedings of the 26th Annual SIGCHI Conference on Human Factors in Computing Systems, Florence, Association for Computing Machinery, New York; pp. 65-70.

Gingras, B., McAdams, S. & Schubert, P. (2007). Effects of musical texture, performer's preparation, interpretative goals, and musical competence on error patterns in organ performance.听Proceedings of the International Symposium on Performance Science 2007, Porto, European Association of Conservatoires (AEC).

Peters, N., McAdams, S. & Braasch, J. (2007). Evaluating off-center sound degradationin surround loudspeaker setups for various multichannel microphone techniques.听Proceedings of the 123rd Convention of the Audio Engineering Society, New York.

Burgoyne, J.A. & McAdams, S. (2007). Non-linear scaling techniques for uncovering the perceptual dimensions of timbre,听Proceedings of the International Computer Music Conference, Copenhagen, ICMA:San Francisco.

Marentakis, G., Peters, N. & McAdams, S. (2007). DJ Spat: Spatialized interactions for DJs,听Proceedings of the International Computer Music Conference, Copenhagen, ICMA:San Francisco.

Giordano, B., McAdams, S. & McDonnell, J. (2007). Acoustical and conceptual information for the perception of animate and inanimate sound sources.听Proceedings of ICAD-07-13th Meeting of the International Conference on Auditory Display, Montr茅al, CA.

Giordano, B., McAdams, S. & McDonnell, J. (2007). Cognitive biases in estimating the similarity of environmental sounds.听Abstracts of the 48th Meeting of the Psychonomic Society,听12, 4051(A).

B茅zat, M-C., Roussarie, V., Kronland-Martinet, R., Ystad, S. & McAdams, S. (2006). Perceptual analyses of action-related impact sounds,听Euronoise 2006, Tampere, Finland.

Susini, P., McAdams, S. & Smith, B. (2005). Loudness asymmetries for tones with increasing and decreasing levels.听Proceedings of ICAD 05-11th Meeting of the International Conference on Auditory Display.

Suied, C., Susini, P. Misdariis, N., Langlois, S., Smith, B. & McAdams, S. (2005). Toward a sound design methodology: Application to electronic automotive sounds.听Proceedings of ICAD 05-11th Meeting of the International Conference on Auditory Display.

Dubnov, S., McAdams, S. & Reynolds, R. (2004). Predicting human reactions to music on the basis of similarity structure and information theoretic measures of the sound signal. S. Argamon, S. Dubnov & J. Jupp (Eds.),听Style and Meaning in Language, Art, Music, and Design, American Association for Artificial Intelligence Technical Report FS-04-07, pp. 37-40, AAAI Press, Menlo Park, CA.

Lemaitre, G., Susini, P., Winsberg S., & McAdams S. (2004). A method to assess the ecological validity of laboratory-recorded car horn sounds.Proceedings of the SFA/DAGA Conference, Strasbourg, Soci茅t茅 Fran莽aise d'Acoustique, Paris [CD-ROM].

Tardieu, J., Susini, P., Poisson, F. & McAdams, S. (2004). Soundscape design in train stations.听Proceedings of the Journ茅es du Design Sonore, Paris, Ircam-Entre Pompidou, Paris [CD-ROM].

Susini, P. & McAdams, S. (2004). Temporal asymmetry in loudness.听Proceedings of the SFA/DAGA Conference, Strasbourg, Soci茅t茅 Fran莽aise d'Acoustique, Paris [CD-ROM].

Lemaitre, G., Susini, P., Winsberg, S. & McAdams, S. (2003). Perceptively based design of new car horn sounds.听Proceedings of the 2003 International Conference on Auditory Display, Boston, MA, Boston University Publications, 47-50.

McAdams, S. (2002). Musical similarity and dynamic processing in musical contexts.听Proceedings of the International Symposium on Musical Acoustics, Mexico City, ENM/UNAM, Mexico City [CD-ROM].

Caclin, A., Brattico, E., Smith, B., Ternaviemi, M., Toiviainen, P., N盲盲t盲nen, R., Giard, M.-H. & McAdams, S. (2002). Musical timbre perception: A combined psychophysical and electrophysiological study,听Proceedings of ICON8, Porquerolles, 70.

Susini, P. & McAdams, S. (2002). Influence of sound-directed attentional focus on overall loudness ratings.听Proceedings of Forum Acusticum, Sevilla.

Lemaitre, G., Susini, P., McAdams, S. & Winsberg, S. (2002). Perceptual characterisation of the timbre of car horns.听Proceedings of Forum Acusticum, Sevilla.

McAdams, S., Smith, B.K., Vieillard, S., Bigand, E. & Reynolds, R. (2002). Real-time perception of a contemporary musical work in a live concert setting.听Proceedings of the 7th International Conference on Music Perception and Cognition, Sydney, Causal Productions, Adelaide [CD-ROM].

Vieillard, S., Bigand, E., Madurell, F., McAdams, S. & Reynolds, R. (2002). Can listening to excerpts of original versions of contemporary musical materials facilitate recognition of their transformed versions?听Proceedings of the 7th International Conference on Music Perception and Cognition, Sydney, Causal Productions, Adelaide [CD-ROM].

Bigand, E., Vieillard, S., Madurell, F., McAdams, S. & Poulin, B. (2002). Effects of instrumentation on the memorization of musical materials.Proceedings of the 7th International Conference on Music Perception and Cognition, Sydney, Causal Productions, Adelaide [CD-ROM].

Vieillard, S., McAdams, S., Houix, O. & Reynolds, R. (2002). Perceptual and cognitive criteria used in the categorization of thematic excerpts from a contempoary musical piece.听Proceedings of the 7th International Conference on Music Perception and Cognition, Sydney, Causal Productions, Adelaide [CD-ROM].

McAdams, S. & Reynolds, R. (2002) Problem-solving strategies in the composition of The Angel of Death.听Proceedings of the 7th International Conference on Music Perception and Cognition, Sydney, Causal Productions, Adelaide [CD-ROM].

Dufournet, D., Susini, P., Slama, M. & McAdams, S. (2001). An annoyance meter for squeak-and-rattle diagnostics,听17th International Congress on Acoustics Proceedings, Rome, vol. X, session 8_10, pp. 38-39 [CD-ROM].

Susini, P., Perry, I., Vieillard, S., Winsberg, S., McAdams, S. & Rodet, X. (2001) Sensory evaluation of air-conditioning noise: Sound design and psychoacoustic evaluation,听17th International Congress on Acoustics Proceedings, Rome, vol. III, session 6_09, pp. 20-21 [CD-ROM].

Turgeon, M., McAdams, S., Drake, C. & Samson, Y., (2000) The relative contribution of the visual and auditory signals to the dynamic reproduction of a rhythmic pattern,听8th International Workshop on Rhythm Perception and Production, Castleton, UK., pp. 38-39.

Peeters, G., McAdams, S. & Herrera, P. (2000) Instrument sound description in the context of MPEG-7.听Proceedings of the 2000 International Computer Music Conference, Berlin, pp. 166-169.

Matzkin, D. & McAdams, S. (2000) Similarity perception of variations of tonal and twelve-tone melodies.听Proceedings of the 6th International Conference on Music Perception and Cognition, Keele听[CD-ROM].

McAdams, S. (2000) La psychom茅chanique des sources sonores simples.听Actes du 5猫me Congr猫s Fran莽ais d'Acoustique, Lausanne, p. XXI.

Susini, P. & McAdams, S. (2000). Effet de r茅cence dans une t芒che de jugement de la sonie.听Actes du 5猫me Congr猫s Fran莽ais d'Acoustique, Lausanne, pp. 430-432.

Houix, O., McAdams, S. & Causs茅, R. (2000). Structures vibrantes et cat茅gorisation auditive.听Actes du 5猫me Congr猫s Fran莽ais d'Acoustique, Lausanne, pp. 437-440.

McAdams, S. (2000). Evaluation subjective de la qualit茅 sonore.听G锚ne ou agr茅ment: Vers la qualit茅 sonore. Actes du colloque SFA/SRGSE, Bron.

McAdams, S. & Misdariis, N. (1999). Perceptual-based retrieval in large musical sound databases.听Proceedings of Human Centred Processes '99, Brest, P. Lenca (Ed.), ENST Bretagne, Brest, pp. 445-450.

Thivard, L., McAdams, S., Smith, B., Boddaert, N., Savel, S., Belin, P., Zilbovicius, M., Samson, S. & Samson, Y. (1998). The functional anatomy of sound duration change detection.听Proceedings of the Society for Neuroscience, Los Angeles, CA.

McAdams, S. & Susini, P. (1998). Caract茅risation perceptive des bruits de v茅hicules.听Actes du Congr猫s Soci茅t茅 des Ing茅nieurs de l'Automobile/Soci茅t茅 Fran莽aise d'Acoustique, Courbevoie, SIA 981002.

Bey, C. & McAdams, S. (1998). Perception de m茅lodies intercal茅es: Implication des processus descendants dans l'organisation auditive.听Actes du VIIe Colloque de l'Association pour la Recherche Cognitive, D. Kayser, A. Nguyen-Xuan & A. Holley (Eds.), pp. 255-260.

Bey, C. & McAdams, S. (1998). Implication of top-down processes in auditory streaming.听Abstracts of the 39th Meeting of the Psychonomic Society,听Dallas, p. 25 (A).

Faure, A. & McAdams, S. (1998). Du percept au concept: Comment parle-t-on du timbre des instruments de musique听?Actes du 6猫me Colloque de l'Ecole Doctorale Neurobiologie et Comportement, J-F. Allilaire, D.Andler, P. Ascher, M-J. Besson, B. Calvino, F. Crepel & D. Tritsch (Eds.), p. C9 (A).

Bey, C. & McAdams, S. (1998). Implication des connaissances dans l'organisation auditive.听Actes du 6猫me Colloque de l'Ecole Doctorale Neurobiologie et Comportement, J-F. Allilaire, D.Andler, P. Ascher, M-J. Besson, B. Calvino, F. Crepel & D. Tritsch (Eds.), p. C3 (A).

McAdams, S., Susini, P., Misdariis, N. & Winsberg, S. (1998). Multidimensional characterisation of perceptual and preference judgments of vehicle and environmental noises.听Euro-Noise 98, M眉nchen: Designing for Silence, vol. I, pp. 561-566.

Susini, P. & McAdams, S. (1998). Global and continuous judgments of sounds with time-varying intensity: Cross-modal matching with a proprioceptive input device.听Proceedings 16th International Congress on Acoustics and 135th Meeting Acoustical Society of America, pp. 571-572.

Roussarie, V., McAdams, S. & Chaigne, A. (1998). Perceptual analysis of vibrating bars synthesized with a physical model.听Proceedings 16th International Congress on Acoustics and 135th Meeting Acoustical Society of America, pp. 2227-2228.

Misdariis, N., Smith, B., Pressnitzer, D., Susini, P. &听 McAdams, S. (1998). Validation of a multidimensional distance model for perceptual dissimilarities among musical timbres.听Proceedings 16th International Congress on Acoustics and 135th Meeting Acoustical Society of America, pp. 2213-2214.

McAdams, S., Kudo, K. & Kirchner, H. (1998). Perceptual interaction of exciter and resonator properties in percussive instrument sounds.听Proceedings 16th International Congress on Acoustics and 135th Meeting Acoustical Society of America, pp. 1885-1886.

Bey, C. & McAdams, S. (1997). Implication des processus descendants dans la formation des flux auditifs. La perception: Du natural 脿 l'artificiel,听Journ茅es Internationales d'Orsay sur les Sciences Cognitives 1997, pp. 29-32.

Belin, P., Smith, B., Thivard, L., Savel, S., Samson, S., Samson, Y. & McAdams, S. (1997). The functional anatomy of sound intensity change detection.Proceedings of the Society for Neuroscience, New Orleans.

Pressnitzer, D. & McAdams, S. (1997). Influence of phase effects on roughness modeling and control.听Proceedings of the 1997 International Computer Music Conference, Thessaloniki, pp. 31-34.

Paraskeva, S. & McAdams, S. (1997). Influence of timbre, presence/absence of tonal hierarchy and musical training on the perception of tension/relaxation schemas of musical phrases.听Proceedings of the 1997 International Computer Music Conference, Thessaloniki, pp. 438-441.

Susini, P., McAdams, S. & Winsberg, S. (1997). Caract茅risation perceptive des bruits de v茅hicules.听Actes du 4e Congr猫s Fran莽ais d'Acoustique, Marseille, vol. 1, 543-546.

Pressnitzer, D. & McAdams, S. (1997). Influence de la phase sur la perception de rugosit茅 de sons complexes.听Actes du 4e Congr猫s Fran莽ais d'Acoustique, Marseille, vol. 1, 535-538.

Faure, A. & McAdams, S. (1997). Comparaison de profils s茅mantiques et de l'espace perceptif de timbres musicaux.听Actes du 4e Congr猫s Fran莽ais d'Acoustique, Marseille, vol. 1, 625-628.

Drake, C. & McAdams, S. (1997). The continuity illusion: Role of temporal sequence structure.听Actes du 4e Congr猫s Fran莽ais d'Acoustique, Marseille, vol. 1, 519-522.

Bey, C. & McAdams, S. (1997). Etude des processus de formation des flux auditifs par une m茅thode objective.听Actes du 4e Congr猫s Fran莽ais d'Acoustique, Marseille, vol. 1, 531-534.

Susini, P., McAdams, S. & Winsberg, S. (1997). Perceptual characterisation of vehicle noises.听Proceedings of the European Acoustics Association Symposium on Psychoacoustics in Industry and Universities, Eindhoven.

McAdams, S. (1997). Basic and applied psychoacoustics in France.听Proceedings of the European Acoustics Association Symposium on Psychoacoustics in Industry and Universities, Eindhoven.

Donnadieu, S. & McAdams, S. (1996). Effects of context change on dissimilarity, discrimination, and categorisation tasks on timbre perception.听Fechner Day 96. Proceedings of the 12th Annual Meeting of the International Society for Psychophysics,听Padova, ISP, pp. 239-244.

Pressnitzer, D., McAdams, S., Winsberg, S. & Fineberg, J. (1996). Roughness and musical tension of orchestral timbres.听Proceedings of the 4th International Conference on Music Perception and Cognition, Montr茅al, Faculty of Music, 黑料不打烊 University, Montr茅al, pp. 85-90.

Faure, A., McAdams, S. & Nosulenko, V. (1996). Verbal correlates of perceptual dimensions of timbre.听Proceedings of the 4th International Conference on Music Perception and Cognition, Montr茅al, Faculty of Music, 黑料不打烊 University, Montr茅al, pp. 79-84.

Donnadieu, S., McAdams, S. & Winsberg, S. (1996). Categorization, discrimination, and context effects in the perception of natural and interpolated timbres.听Proceedings of the 4th International Conference on Music Perception and Cognition, Montr茅al, Faculty of Music, 黑料不打烊 University, Montr茅al, pp. 73-78.

Pressnitzer, D., McAdams, S., Winsberg, S. & Fineberg, J. (1996). Tension musicale et rugosit茅 psychoacoustique dans la musique non-tonale.听Actes des Journ茅es d'Informatique Musicale, Caen, pp. 147-156.

Brochard, R., Drake, C., Botte, M-C. & McAdams, S. (1995). Focusing attention on one auditory stream does not depend on the number of simultaneous streams.听听Fechner Day 95. Proceedings of the 11th Annual Meeting of the International Society for Psychophysics,听Cassis, ISP.

McAdams, S., Botte, M-C. & Drake, C. (1995). The partitioning of loudness in the auditory continuity phenomenon,听Fechner Day 95: Proceedings of the 11th Annual Meeting of the International Society for Psychophysics,听Cassis, ISP.

McAdams, S. (1995). Listening strategies in electroacoustic music,听Proceedings of the International Congress in Music and Artificial Intelligence, Edinburgh.

Lakatos, S. & McAdams, S. (1995). Scaling of harmonic and percussive timbres: Perceptual spaces and verbal attributes,听SMPC95 Conference, p. 10, Berkeley, SMPC.

Donnadieu, S., McAdams, S. & Winsberg, S. (1995). Effects of context change on timbre perception,听SMPC95 Conference, p. 12, Berkeley, SMPC.

Beauchamp, J., Horner, A. & McAdams, S. (1995). Musical sounds, data reduction, and perceptual control parameters,听SMPC95 Conference, pp. 8-9, Berkeley, SMPC.

McAdams, S., Botte, M.-C., Banide, F., Durot, X. & Drake, C. (1994). The computation of loudness in the auditory continuity phenomenon.Proceedings of the ATR Workshop on "A Biological Framework for Speech Perception and Production", Kyoto听, ATR Tech. Rep. TR-H-121, 81-86.

McAdams, S., Winsberg, S., Murail, T., Fineberg, J., Bigand, E. & Drake, C. (1994). Dissonance: Allegories of the concept and Disintegrations of the preconceptions.听Proceedings of the 3rd International Conference on Music Perception and Cognition, 尝颈猫驳别, pp. 317-318, 尝颈猫驳别, ESCOM.

McAdams, S. (1994). Big sister Pitch's little brother Timbre comes of age.听Proceedings of the 3rd International Conference on Music Perception and Cognition, 尝颈猫驳别, pp. 33-34, 尝颈猫驳别, ESCOM.

Fales, C. & McAdams, S. (1994). Tone/noise fusion and timbre in African musical instruments.听Proceedings of the 3rd International Conference on Music Perception and Cognition, 尝颈猫驳别, pp. 105-106, 尝颈猫驳别, ESCOM.

Donnadieu, S., McAdams, S. & Winsberg, S. (1994). Context effects in "timbre space".听Proceedings of the 3rd International Conference on Music Perception and Cognition, 尝颈猫驳别听, pp. 311-312, 尝颈猫驳别, ESCOM.

Bigand, E., McAdams, S. & For锚t, S. (1994). Divided attention in polyphonic listening.听Proceedings of the 3rd International Conference on Music Perception and Cognition, 尝颈猫驳别, pp. 237-238, 尝颈猫驳别, ESCOM.

McAdams, S. & Marin, C.M.H. (1990). Auditory processing of frequency modulation coherence. In F. M眉ller (Ed.)听Fechner Day 90.听Proceedings of the 6th Annual Meeting of the International Society for Psychophysics,听奥眉谤锄产耻谤驳, pp. 175-180.

Marin, C.M.H., McAdams, S. & Li茅nard, J.S. (1989). The role of beats in concurrent sound segregation based on frequency modulation cues,听Fechner Day 89. Proceedings of the 5th Annual Meeting of the International Society for Psychophysics,听Cassis, pp. 120-125.

McAdams, S. (1989). Music and psychoacoustics,听Fechner Day 89. Proceedings of the 5th Annual Meeting of the International Society for Psychophysics,听Cassis, pp. 1-4.

McAdams, S. & Saariaho, K. (1985). Qualities and functions of musical timbre,听Proceedings of the 1985 International Computer Music Conference, Vancouver, Computer Music Association, San Francisco, pp. 367-374.

McAdams, S., Gladkoff, S. & Keller, J.-P. (1985). AISE: A prototype laboratory for musical research and the development of conceptual tools,Proceedings of the 1984 International Computer Music Conference, Paris, Computer Music Association, San Francisco, pp. 143-162.

McAdams, S.听 (1983). Acoustic cues contributing to spectral fusion.听Proceedings of the 1983 International Congress of Acoustics,听3, 127-130,听Paris.

McAdams, S. & Wessel, D. (1981). A general synthesis package based on principles of auditory perception.听Proceedings of the 1981 International Computer Music Conference, Denton, Texas,听School of Music, North Texas State University, p. 308.